Mirandolina Review
4 Star Review from The Real Chrisparkle
A bright start to the day with Theatre in the Squares's production of Mirandolina in the version by Ranjit Bolt. Originally written in 1753, this is a gem of a comedy that mocks hypocrisy, class and the role of women in society and is neatly performed by its cast of eight. It’s funny, revealing, and features a superb performance by Samantha Charles as Mirandolina herself. If for no other reason, it’s worth seeing just to fill one’s knowledge gap of eighteenth-century Italian drama. Great fun!
Review in The Student
By Freddie Lowe
Rating: 5 out of 5.
Colin Gregory’s production of Mirandolina, an adaptation of Carlo Goldoni’s La Locanderia (“The Mistress at the Inn”) set in the 1960s, was a marvellous addition to this year’s Fringe. One hopes that theatres will host it for many more post-Fringe productions because it provides a glorious 90 minutes of theatre.
The story follows femme fatale innkeeper Mirandolina. She is famous for entrancing every wealthy male guest into falling head-over-heels in love with her and profiting off their expensive gifts, only to ultimately disavow them of any romantic hopes. That is until an infamous misogynist called Ripafratta boards up at the inn: a wealthy gent famous for “never having fallen in love” (or so he claims). Mirandolina sees this as the perfect challenge. If she can win his affections, she can win any. Shenanigans ensue.
Gregory is a director with a canny eye for detail. You’ll realise the significance of some elements long after the show is finished. From the 1960s posters on the back wall advertising Goldoni’s other plays (in a charming Easter Egg to the source material) to a dance number towards the end which was taken directly from the choreography of the period, he earns the otherwise overused label: “authentic”. Simultaneously, his playful theatrical style makes every minute of this play a delight – and no better does he do this than in his handling of the cast.
Every cast member rose to the challenge brilliantly. A particular standout was Guido, Ripafratta’s servant played by the handsome young Ted Fiore-Burt. The actor is in his early teens; his charisma and charm are enviable for such young talent. He flies in the face of anyone who believes child actors can’t steal
the show.
Yet this was a show where everyone was brilliant. Under Gregory’s hand, the cast comes together as a cohesive, delightfully caricatured and lively ensemble which works perfectly. Samantha Charles is hilarious as Mirandolina, particularly in her coincidentally Miranda-esque one-on-one confidences with the audience. Guyene Muneesamy is also highly entertaining as Ripafratta. All the supporting cast – including many of Mirandolina’s battered conquests, and two lady guests purporting to be higher-class than they are just to amuse themselves – are excellent too.
As said, may this show continue beyond the Fringe! It more than deserves it.
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Last updated: 2 January 2025